American Film Institute Ranking: #97/100
Academy Awards: None
Director: Howard Hawks
What is comedy?
It’s a tricky question to answer and is the crux of my problem with this movie. What makes someone laugh: do you prefer witty, ridiculous, crass, situational, ironic, play-on-words, role reversals, self-depreciating, or some combination of the above? This movie has universal appeal with a resounding unison of positive reviews. This is quite different from how it was described at the time of its release, with phrases such as “box-office poison” and such a bomb that it threatened Hepburn’s film career with critics.
Somehow through syndication, this movie gained a steamroller of momentum and now is regarded as the quintessential screwball, romantic comedy that created an entire genre. I can’t help but agree with the original opinion. While the movie appealed to my love of wacky and imaginative, the delivery made this one of the most frustrating films I’ve ever watched.
American Film Institute Ranking: #17/100 Academy Awards: Nominated for four (Best Actor, Actress, Adapted Screenplay and Director) winning Best Actor for Humphrey Bogart (his only Academy Award). Director: John Houston My Rating:
“How can we put Humphrey Bogart and Katharine Hepburn in close proximity for a couple hours and let them work their magic?”
Enter the adapted screenplay by James Agee (who also wrote a top 100 book of all time “A Death in the Family” which I review here). The African Queen is an interesting movie just from the set up alone: about 90% of the movie involves the two main characters floating down a river in a steam boat with the entire focal point on their relationship. There is some window dressing to get them there, but none of it matters. What is important is that Humphrey and Katharine are stuck together and have to work through their differences. This movie explores the classic motif of mismatched lovers using stereotypical traits that are diametrically opposed (messy vs. clean, prude vs. crude, etc.). Thankfully, we have two power houses of Hollywood that end up pushing this ridiculous script along and somehow make a successful go at it.
American Film Institute Ranking: #38/100 Academy Awards: Nominated for seven, including best picture, director and actress, but losing all seven. My Rating:
The story goes that this was a hard movie to get approved to make — those in charge felt like the script’s content and story were too maniacal and didn’t pass the Movie Picture Production Code for moral standards. The characters are indeed awful, and there was more than one time that it made my skin crawl. The set up is a a classic reiteration of trying to commit the perfect murder to collect on an insurance policy, but this time it is a scheme between an unhappy spouse (Phyllis Dietrichson) and an insurance agent (Walter Neff) to knock off her husband. Walter Neff knows how other people have gotten caught in fraudulent claims and comes up with the perfect plan: have his death appear as if it happened on the train and collect double on his insurance policy, otherwise known as double indemnity.
Sydlexia’s Ranking: #19/100 Developer: Rare My Rating:
This has always been a down low favorite game of mine, and it has a lot to do with all the secrets that are so enticing to find. Diddy Kong’s Quest offered the original Xbox Achievements as each level is scattered with hidden DK coins and tokens. I feel like this was the first time that someone considered replay value beyond a stale rerun through the same levels.
DK2 has the usual quirkiness that the game traditionally brings: a little bit of culture, bizarre animal enemies, and adult Kongs that have their own unique angles. Cranky Kong is probably a favorite as he chastises the player for having it so much easier than earlier gamers (arcade and NES era) and breaks the fourth wall a little bit. This always gave the game a boost of flare and made it more rememberable.
Sydlexia’s Ranking: #80/100 Developer: Hal Laboratory Rating:
I have a soft spot for the puzzle genre in video games. I think it’s video gaming at its best: no story nor plot, just some basic mechanics that completely twist your brain. I admire people who can turn a few simple rules into extremely engrossing mind riddles while inducing an effort headache as you try and solve them.
This is the Adventures of Lolo in a nutshell: couple of blocks, couple of buttons and couple of enemies, but put all together an extremely enjoyable game. There is a little bit of a backstory, as you play as Lolo trying to save Lala who has been kidnapped by the evil Eggers (view the above image if you need the emotional coloring). Lolo then has to go through 50 rooms of puzzles to save his princess.
“All right, Mr. DeMille, I’m ready for my close-up.”
American Film Institute Ranking: #12/100 Academy Awards: Nominated for eleven, won three including best original screenplay but none of the biggies. My Rating:
I really enjoyed this movie. A lot.
There are a lot of different angles, and it’s all packed into a tight presentation: a critique of hollywood; an unintentional period piece; purposeful inside references; old vs. new. The end result is a poignant insight into a time long gone, showing the underbelly of show biz that has been there since the very beginning.
Sydlexia Ranking for top SNES games: #81/100 Developer: Konami Rating:
I was a Tiny Toon fan when I was a child; every day after school it was on, and not until I reached middle school did I make the jump to Dragon Ball Z on Toonami. My favorite episode is easily where they danced to old-school songs for a whole episode. Tiny Toons was always weird, popcultured, and cerebral, taking advantage of breaking the fourth wall to interact in a way different than other cartoons at the time.
So I guess no different than today, it is important to monetize anything we enjoy and video games seem to be an easy way to do that.