Top 100 Movie Review: #33 – High Noon (1952)

Realtime Drama.

Time passage in the story is synced with realty, making the clock a constant motif and reminder — time is running out.

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Will Kane (played by Gary Cooper) goes to church to recruit help against outlaws in this Western Film.

American Film Institutes Ranking: #33/100
Awards: Nominated for seven Academy Awards, winning four (Actor for Gary Cooper and then some editing and musical stuff).
My Rating: smooth-starsmooth-starsmooth-star

This movie has a handful of things going for it, but I’m not sure where they stand against the test of time.

The backdrop of the movie was McCarthyism, and the film is supposed to be a representation of someone willing to stand up against evil when all others wilt. The film runs in real time, with every shot including a clock corresponding with the correct amount of time that has passed in real life. It flips the Western on its head, having an ending that is somewhat counter to what would be considered traditional.

Putting it all together, enough happens where it produces an average film, enjoyable albeit hard to recommend to others.

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Top 100 NES Review: #46 – Kirby’s Adventure (1993)

The Archetypal Hero

Kirby shows up fashionable late to the NES party and provides a final jolt to a dying system with this introspective tale of fulfilling the Hero Archetype.

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Kirby destroying the ecology. Mercy, Mercy Me.

Sydlexia’s Ranking: #46/100
Developer: Hal Laboratory
Rating: smooth-starsmooth-starsmooth-star

This game has a lot of Japanese flair — I’m not sure how else to put it. Your character is a pink puffball that sucks in monsters and steals their abilities. Mini-games includes eating as many eggs as possible and an old Western dual. The opening sequence is a how-to-tutorial of how to draw kirby (“First you draw a circle…”). Your journey begins in vegetable valley and ends with a battle flight through the stars. This game leaves no ground uncovered, including the collective consciousness.

Along the way, you may become attached to the trials and desires of the pink enveloper, but by the end you realize that Kirby’s playful facade is just a cover for his performance as a Carl Jung archetype: the hero.

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