A typical Western made unbelievably bad by a child.
American Film Institutes Ranking: #69/100 Awards: Six Academy Award nominations with one win for Best Cinematography. My Rating:
Renaissance artists conceptualized how to create the illusion of depth on a 2D surface, and drew some of the most well-known works of human history. They aren’t without their faults though; they had no idea how to draw children. The contorted, homunculus interpretations are of nightmares.
Enter Joey Starett, the child of “Shane.” It is a prototypical Western that goes for a few twists, the main one being infusing the typical motifs with the perspective of a pre-adolescent. Like the Renaissance artists, however, the director doesn’t quite know what to do with him, having his presence turn into a nightmare.
Time passage in the story is synced with realty, making the clock a constant motif and reminder — time is running out.
American Film Institutes Ranking: #33/100 Awards: Nominated for seven Academy Awards, winning four (Actor for Gary Cooper and then some editing and musical stuff). My Rating:
This movie has a handful of things going for it, but I’m not sure where they stand against the test of time.
The backdrop of the movie was McCarthyism, and the film is supposed to be a representation of someone willing to stand up against evil when all others wilt. The film runs in real time, with every shot including a clock corresponding with the correct amount of time that has passed in real life. It flips the Western on its head, having an ending that is somewhat counter to what would be considered traditional.
Putting it all together, enough happens where it produces an average film, enjoyable albeit hard to recommend to others.
This game has a lot of Japanese flair — I’m not sure how else to put it. Your character is a pink puffball that sucks in monsters and steals their abilities. Mini-games includes eating as many eggs as possible and an old Western dual. The opening sequence is a how-to-tutorial of how to draw kirby (“First you draw a circle…”). Your journey begins in vegetable valley and ends with a battle flight through the stars. This game leaves no ground uncovered, including the collective consciousness.
Along the way, you may become attached to the trials and desires of the pink enveloper, but by the end you realize that Kirby’s playful facade is just a cover for his performance as a Carl Jung archetype: the hero.