Squalling and yelling on top of multiple layers of improvised classical, jazz, and folk.
Rolling Stone’s Ranking: #21/100
There is a lady who sings international music on the sidewalks of Carytown in Richmond, VA. Densely-populated with shops and restaurants, she sings inaudible oscillating pitches while improvising on foreign instruments as the shapeless crowd passes by. As far as street performances go, it’s okay.
To my knowledge, she’s never placed an album on a top 100 list which makes sense. Her venue matches her output. Astral Weeks, absolutely similar with undecipherable yelps and forgettable compositions, would be right at home on the same city side-block as her.
Continue reading “Top 100 Album Review: #19 – Astral Weeks, Van Morrison (1968)”
Morrison mixes folksy guitar work with some brass backing to make a unique sound.
Rolling Stone’s Ranking: #65/100
I put on this album before I started a 5 mile run. Reaching the crest of a hill with the sun peaking out on the horizon, “Into the Mystic” began to play. It made me reach a spatially different mindset where time seemed to neither move nor matter. I had moved into some alternative space where my run was effortless and my thoughts easy.
The entire Moondance album has an otherworldly feel: it slowly hypnotizes you with easy guitar, folky lyrics, and soft brass bands interspersed through the music. The style becomes repetitive though, with not all the songs making an impact.
Continue reading “Top 100 Album Review: #65 – Moondance, Van Morrison (1970)”