Top 100 Album Review: #46 – Legend, Bob Marley and the Wailers (1984)

All You Need to Know: 500 Weeks on Billboard’s Top Albums.

This reggae album is awesome not because of the genre but because of the song writing.

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Rolling Stone’s Ranking: #46/100
My Rating: cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550

This album has achieved incredible staying power: Pink Floyd’s Dark Side of the Moon is the only album that’s been on the Billboards Top 200 Albums longer (another Top 100 Album selection).

What makes the album so good is that the songs themselves are so different even with the consistent reggae feel and rhythm. Put on any station dedicated to the genre and you will be lulled into lethargy as the monotonous sound waves melt into one another without distinction. Bob Marley and The Wailers, however, command your attention from start to finish with well-written songs, and this collection gives you the most powerful 15 examples of it.

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Top 100 Album Review: #67 – The Stranger, Billy Joel (1977)

The Piano Man’s Reigning Achievement.

One of those rare albums where almost every track is a triumph of song writing perfection. 

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Rolling Stone’s Ranking: #67/100
Grammy: Song and Record of the Year for “Just the Way You Are.”
My Rating:cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

Billy Joel intertwines with my coming of age. I found a 2-disc greatest hit collection in the streets of Richmond, VA when I just got my permit to drive — it didn’t leave my driving music rotation for years, and Goodnight Saigon become an anthem between my friends.

When I saw this track listing, I new most of the material with 6 out of the 9 songs being “Greatest Hits” material. Seeing the songs in their natural habitat on “The Stranger” along with the other solid material is almost unthinkable: how did someone come out with this much good material at once?

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Top 100 Album Review: #50 – Here’s Little Richard, Little Richard (1957)

Wop-bop-a-loo-bop-a-lop-bom-bom!

Little Richard screams, wails and whoops his way through this juke-box-jam of a debut album.

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Rolling Stone’s Ranking: #50/100
My Rating: smooth-starsmooth-starsmooth-star

I have no idea what the onomatopoeia should be for the Little Richard wail he does in every song. It deserves to have it’s own spelling — it’s infectious and oozes with energy. This whole album is rockin’, making you want to Bop and Jitterbug your night away.

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