Top 100 Movie Review: #32 – Godfather Part II (1974)

A Sequel Better Than The Original.

There, I said it. Godfather’s second incarnation is better than the first, having a cleaner plot and an interesting juxtaposition of past and present. 

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Al Pacino as Micheal Corleone.

American Film Institutes Ranking: #32/100
Awards: Nominated for nine Academy Awards, winning Best Picture, Director, Supporting Actor (De Niro), Adapted Screenplay, & Score.
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

Initial reaction to this movie was divided with many people not liking the two story arcs happening at once. Canby writing for the New York Times described the film as “stitched together from leftover parts.” The film later became a focus of reevaluation with some considering it a better film than the first. Roger Ebert even went as far as to re-rate the movie with his highest ranking retrospectively.

Something about this film caught my eye more than the first, and I think it centers around me viewing the two-story arcs positively; it gives us time to breath from present day events while providing a solid, stand-alone story.

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Top 100 Movie Review: #3 – The Godfather (1972)

The Offer We Just Can’t Refuse

A front row seat to the underbelly of Mafia crime, the movie about the Corleone family has plenty of malevolent retribution to enjoy.

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Marlon Brando who won Best Actor as Vito Corleone.

American Film Institutes Ranking: #3/100
Awards: Nominated for eleven awards with one being revoked and winning Best Picture, Best Actor and Best Adapted Screenplay.
My Rating: smooth-starsmooth-starsmooth-star

This is one of the heavy hitters of film, obvious by how high it is ranked (#3!) but also by its universal acclaim. Unfortunately, I’m not 100% on the bandwagon. Don’t get me wrong. I find this movie very good and enjoyable, but I’m not quite sure I would put it in my top five movies of all time.

There is something intoxicating about seeing the inner workings of the mafia, and Francis Ford Coppola’s movie does a wonderful job of characterization — there are rememberable people, interactions, and changes amongst the cast over the course of the movie. The fact that no one is safe from the violence adds an additional level of intrigue, never knowing who might be the next one to “sleep with the fishes.”

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