Top 100 Album Review: #68 – Off The Wall, Michael Jackson (1979)

Transitory Vibes.

Not childish like the Jackson 5 but not quite mature like Thriller.  

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Rolling Stone’s Ranking: #68/100
My Rating: StarStarStarStarStar

When I came out of my house, I knew something was wrong: why is my car light on? It took a few more seconds to process, but someone had thrown a rock through the passenger side door stealing everything not tied down. My change drawer was raided along with my sun visor CD case. Assessing the loses, I found the jewell case for Off the Wall underneath the seat. Not even a few weeks in my possession, it was empty. I had been bumping this awesome album everywhere, and now it was over….

Until I realized it was still in the CD player — the only thing that wasn’t stolen.

This was around 2008 before MJ died. I was diving deep into his discography when the legend passed. What makes Off the Wall so different than his other adult solo work is the fact that it’s his first entry and thus the most innocent. There is no super fandom for MJ to contend with via political statements or anti-media harangues. This makes for a fun free listen — every song is a pop hit single.

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Top 100 Album Review: #23 – Innervisions, Stevie Wonder (1973)

Might Be My Favorite Album of All-Time.

I can’t find anything to debase — everything is perfectly as it should be. 

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Rolling Stone’s Ranking: #23/100
My Rating: cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550

If I had to answer the impossible question of “What’s your favorite album of all-time?” this would be labeled Exhibit A in the evidence. Stevie Wonder’s Innervisions does everything well: it’s an eclectic collection of genres; it’s poppy, catchy, and weird all at once; it’s socially conscious and meaningful.

A deeply personal account that pierces your ego, it’s a rare piece of art where performer and listener almost overlap. Certain lyrics and measures cut me to the bone. The last time I remember someone being this open with their feelings on vinyl was Joni Mitchell’s Blue. The best part: it’s from a pop master, with every song sticking with you for days (or in my case, years).

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Top 100 Album Review: #90 – Talking Book, Stevie Wonder (1972)

An Album Where Every Track Is Good.

Hits, b-sides, upbeat, slow tempo — this album has it all. 

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Rolling Stone’s Ranking: #90/100
My Rating: cropped-smooth-star-e1545863035586cropped-smooth-star-e1545863035586cropped-smooth-star-e1545863035586cropped-smooth-star-e1545863035586cropped-smooth-star-e1545863035586

Ten years ago, I tried to do this same blog where I reviewed the top 100 albums, books, and movies of all time. I didn’t get very far, maybe only posting three times (versus the 143 posts I’m currently sitting at 😇). One of those posts were Talking Book. I gave it five stars then, and I’m giving it five stars now.

My favorite moment was the end of track nine where I thought it was the end of the album. “I couldn’t ask for anymore,” thinking to myself. Then, I was rewarded with one more beautiful love ballads in I Believe, a complete surprise to cap off what I thought was already the limit.

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Top 100 Album Review: #56 – Songs in the Key of Life (1976)

Stevie’s Magnus Opus

While a bit self-indulgent, this double-LP contains so much good material it’s impossible to listen to it all in one sitting. 

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Rolling Stone’s Ranking: #56/100
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

I had a three hour drive ahead of me, and I thought I would be able to get through all of “Songs in the Key of Life,” but halfway through the album I was exhausted. It is a pit of endless material.

If I had to register a minor compliant — some of these songs are just too long, which contributes to the exhaustion level. But hey, if I put together a 21 track album, some of which would live on forever as a quintessential-American soundtrack, I might do whatever I want, too.

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