The perspective of a slave turned influential spokesman is ripe with thoughts on identity, labor, and education.
The Greatest Book’s Ranking: #99/100
I read this book during a slight downslope of life. I am finishing up my final clinical rotation with my hand in several side projects wondering — what’s the point? This bit of nihilism is due to the amount of sacrifice with the reward being only a cloudy possibility in the future. I want to create a better way to do clinical education for physical therapy, but thoughts of self-doubt have crept in.
Enter Booker Taliaferro Washington, a name he gave himself upon freedom.
Reading his journey begin with absolutely nothing but his inexorable desire to do better, it reignited some old-fashion values in me: the joy of work should not be in the reward, but in knowing that you did it to the best of your ability. The dignity of labor is an intrinsic sense of satisfaction. This, and other lessons, I heeded during this opaque time in my life.
Continue reading “Top 100 Non-Fiction Book – #99 – Up From Slavery, Booker T. Washington (1901)”
The Epic & False Historical.
A combustable mixture of Classic Hollywood with Southern Glorification, Gone with the Wind provides insight into the Lost Cause narrative.
American Film Institutes Ranking: #4/100
Awards: Nominated for thirteen (13) winning eight, including Best Picture, Director and Actress.
This movie has a lot of angles to consider. It requires an ability to shape shift, consider all the different frames of reference, and sift through what you find.
It needs to be blasted for being a racist, vile attempt at creating lament for an unjust society, falling into the category of propaganda. It’s cultural significance also cannot be denied; across all releases, it is estimated to have sold 200 million tickets in the US and Canada. This view of Southern Gentility was a widely-accepted technique used by many Southerners to help reinterpret and redefine their society, however false the narrative. Then, you have the actual story of Scarlet O’Hara, a 1930s feminist-infused protagonist dropped anachronistically into an earlier time.
This leaves this Hollywood Golden Age film, with the symphonic music, gorgeous sets, and memorable cinematography, held in abeyance: what place should it hold now?
Continue reading “Top 100 Movies Review: #4 – Gone with the Wind (1939)”