Top 100 Album Review: #73 – Back in Black, AC/DC (1980)

A Tasteful Hard Rock Album.

Tasteful in musical composition, not lyrics of course.

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Rolling Stone’s Ranking: #73/100
My Rating: cropped-smooth-star-e1545863035586.jpgcropped-smooth-star-e1545863035586.jpgcropped-smooth-star-e1545863035586.jpgcropped-smooth-star-e1545863035586.jpg

Anything that fits under the genre Hard Rock or Heavy Metal is rat poison to me: the crass lyrics screamed at the decibels of chainsaws just doesn’t do it for me. Actually, it makes me shut-down, and like a nuclear reactor that’s about to explode, I begin an emergency protocol to get the hell away from it as quick as possible.

Considering AC/DC hard rock might be a joke to some — I know if you look at the Rock n’ Roll  continuum, there is such screaming, hard rock out there that in comparison they can look like a Bach coverband.  For me, Back in Black is touching the outer limits of what can be inherently pleasing to me but transcends it by reigning in the “hard/heavy” aspect along with some very good songs.

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Top 100 Album Review: #21 – The Great Twenty-Eight, Chuck Berry (1982)

Now This is Some Driving Music.

Even with being 28 songs, there is so much to enjoy here. 

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Rolling Stone’s Ranking: #21/100
My Rating: cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550

Months ago, I took a long trip down to Florida and loaded the phone up with all types of albums. Chuck Berry saved me at just the right time: I hit the country lines of North Carolina and needed something to pep me up. This album is full of old rock n’ roll with many references to automobiles and cruising. It was the perfect antidote.

It also satisfies my self-created rule of what makes a Top 100 album with one killer track (Johnny B. Good) and over half the album being worth-while.

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Top 100 Album Review: #35 – The Rise and Fall of Ziggy Stardust and the Spiders From Mars, David Bowie (1972)

Wham Bam Thank You Ma’am.

The flair and pomp gets more attention, but the album itself is actually good. 91WJORzpHML._SY355_.jpg

Rolling Stone’s Ranking: #35/100
My Rating: cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550

I was bracing myself for a let down.

Most of the things you find about this album online are about the extracurricular activities: the hairstyles, alter-egos, and concept. I found more words about David Bowie’s supposed sexuality than attention to the music itself. No worries needed here thankfully. There are a handful of great songs that can easily be enjoyed whether you think David’s gay or not.

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Top 100 Album Review: #15 – Are you Experienced, Jimi Hendrix (1967)

What Can Jimi Not Do?

A debut album that show cases the wide range of Hendrix’s talents — guitar riffs, thoughtful lyrics, original compensations. 

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Rolling Stone’s Ranking: #15/100
My Rating: smooth-starsmooth-starsmooth-starsmooth-starsmooth-star

Another example of me listening to the original album when I knew the greatest hits, “Are You Experienced” is a reminder that there is plenty hidden in the full record.

I had previously listened to Ray Charles’ Atlantic R&B Collection and Little Richard’s Eponymous album, and I can’t help but see the continuation of what was becoming a 20 year project: taking the foundations of music and twisting in ways never done before.

Jimi Hendrix’s use of guitar sends you to an incorporeal place, being left in awe of his mastery of the instrument. His interpretation of R&B, gospel, jazz, rock, and soul might be the best attempt yet. Continue reading “Top 100 Album Review: #15 – Are you Experienced, Jimi Hendrix (1967)”

Top 100 Album Review: #50 – Here’s Little Richard, Little Richard (1957)

Wop-bop-a-loo-bop-a-lop-bom-bom!

Little Richard screams, wails and whoops his way through this juke-box-jam of a debut album.

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Rolling Stone’s Ranking: #50/100
My Rating: smooth-starsmooth-starsmooth-star

I have no idea what the onomatopoeia should be for the Little Richard wail he does in every song. It deserves to have it’s own spelling — it’s infectious and oozes with energy. This whole album is rockin’, making you want to Bop and Jitterbug your night away.

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