Top 100 Movie Review: #66 – Network (1976)

Prescient to Our Current Political Life.

Human nature never changes — Network knew it.

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Howard Beale (Peter Finch), the despondent news anchor, now prophet of the airways.

American Film Institute Ranking: #66/100
Academy Awards: Nominated for six winning four: Best Actor, Actress, Supporting Actor and Original Screenplay.
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

“Network” knew there was a weakness in the system and ourselves. All it was going to take was one seemingly clairvoyant person to serendipitously realize that people don’t live on a diet of rational, purposeful solutions. Rather it is channeling people’s frustrations and anger, being a conduit for people’s rage, that propels you to power.

Howard Beale did not purposefully reinvent his show to do the latter; he mentally snapped at the appropriate time on air. What happened next was a lack of duty by those that had the power to stop it — the television executives were more than happy to rake in the ratings boom that he brought.

This bug in the system reveals much about ourselves and should make our selections of politicians no surprise.

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Top 100 Movie Review: #3 – The Godfather (1972)

The Offer We Just Can’t Refuse

A front row seat to the underbelly of Mafia crime, the movie about the Corleone family has plenty of malevolent retribution to enjoy.

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Marlon Brando who won Best Actor as Vito Corleone.

American Film Institutes Ranking: #3/100
Awards: Nominated for eleven awards with one being revoked and winning Best Picture, Best Actor and Best Adapted Screenplay.
My Rating: smooth-starsmooth-starsmooth-star

This is one of the heavy hitters of film, obvious by how high it is ranked (#3!) but also by its universal acclaim. Unfortunately, I’m not 100% on the bandwagon. Don’t get me wrong. I find this movie very good and enjoyable, but I’m not quite sure I would put it in my top five movies of all time.

There is something intoxicating about seeing the inner workings of the mafia, and Francis Ford Coppola’s movie does a wonderful job of characterization — there are rememberable people, interactions, and changes amongst the cast over the course of the movie. The fact that no one is safe from the violence adds an additional level of intrigue, never knowing who might be the next one to “sleep with the fishes.”

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