Top 100 Movie Review: #96 – The Searchers (1956)

Beautiful Vistas Paired with Man-Made Caricatures

This movie combines the awe-inspiring nature of the west with mostly inorganic and stale characters leaving me wondering: can setting alone carry a movie?

Searchers3.jpg
A scene that epitomes the film: wonderful back drop with a typical Cowboys vs. Indian story.

American Film Institutes Ranking: #96/100
Awards: None
My Ratingsmooth-starsmooth-starsmooth-star

I sometimes take a peak at other people’s thoughts on a movie before settling down on my own: was there an angle I missed or a piece of lore that impacts how I view the film? Roger Ebert is consistently someone I go to first because of his acerbic wit and clear writing. His review for “The Searchers” is a study in character analysis as he slices and dices the depth of the two main leads, reading far into the director’s intentions and purpose.

I simply disagree with what he comes up with. 

Ebert dives deep into the shallow souls of these scantily-detailed characters, projecting life into them that I just cannot see. Where he finds impactful statements and testaments to the director’s hidden or subliminal messages, I see stage props — exception being the main character. This leaves me feeling that the environment was more dynamic than the story and characters: the West is daunting with staggering depth and isolation, while the characters are more true to the stagnant mountains that surround them.

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