The 30 Second Ending Makes The Movie.
It’s hard to make sense of how to digest this film.
American Film Institute’s Ranking: #77/100
Awards: Nominated for five academy awards.
Well, this is weird.
For two hours, I thought George Lucas’s American Graffiti was a bit flat; you have to do better than just capture an era and have a good soundtrack to be must see cinema. Set on the last day before everyone is meant to diverge, a group of teenangers spend the last night of Summer vacation in an intertwining adventure. The problem was none of it seemed important.
That is until the very closing segment, a 30 second epilogue that shows the final outcome of the main characters.
The previous night transforms from a bunch of coming of age tropes into events that dictate the rest of their lives. It’s no longer about drag races and cherry bombs but life and death. I’m not sure if it’s enough to save the movie, but it hit me hard and made me think: the “last time” is usually mundane and hard to recognize.
Continue reading “Top 100 Movie Review: #77 – American Graffiti (1973)”
He’s Crazy…Wait — Is He?
The journey up the river and deeper into the jungle is rewarding.
American Film Institutes Ranking: #29/100
Awards: Nominated for eight winning Sound and Cinematography.
The right space for a lesson to exist is on a continuum where it goes past being a challenge but stops before it becomes inscrutable. Movies that are too easy become labeled as hackneyed. On the other end, movies that are completely impenetrable are only liked by a certain few; a parade of avant garde and social conscious critics try to prop up the significance as it falls on deaf ears.
Apocalypse Now hits that right spot. I’m not sure I understand all of it, but I get enough of it for it to continue to roll around in my brain. The movie exposes our faulty concepts on the meaning of insanity and then goes on to try and figure out who really is acting “crazy.” By the end, and maybe even still, I’m so disoriented that I’m not sure I can tease that one out.
Continue reading “Top 100 Movie Review: #29 – Apocalypse Now (1979)”
Good Fun with No Story.
Absolutely ridiculous at times — too ridiculous.
American Film Institutes Ranking: #60/100
Awards: Nominated for nine winning the ones for sound and effects.
I can’t recall ever actually seeing this film, but somehow I knew quite a few bits and pieces. Maybe the Simpsons are to blame.
This movie cheesed me out. The movie continues to expect more and more suspension of disbelief until you reach an apex of phantasmagorical hallucination. Like a rich dessert, I was satisfied at first, but by the end, I reached a saturation point where I didn’t want anymore.
Continue reading “Top 100 Movie Review: #60 – Raiders of the Lost Ark (1981)”