What A Rabbit Hole.
Playing this led to the movie which led me to Ron Howard which then led to the universe.
Sydlexia’s Ranking: #25/100
It all started with the typo 36: Paperboy37.
Looking over my top 100 NES list for my next plaything, paperboy37 sounded odd and intriguing…until I learned that it was a mistake. 37 just didn’t carry to the next line with Willow. Wow — I’m an idiot. I knew what a paperboy was, but what the hell was a Willow? What the hell indeed.
Willow is an adaptation of a George Lucas film of the same name for the NES. Capcom took this IP and made something akin to a Zelda game. It took me several days to realize that this wasn’t a stand alone product. I was in awe of this quirky game with a rich, albeit weird, story and music. The intro alone was overwhelming for an NES game and probably took up half the cartridge.
None of this prepared me for the movie. In one salient scene, Willow casts fire on a troll that then gets ripped apart by cerbellum-looking branches which turns into a big ball of brain tissues before two dragon heads rip through the film-covered gyrus to morph into Siskel and Ebert.
Here we go!
Continue reading “Top 100 NES Review: #37 – Willow (1989)”
The 30 Second Ending Makes The Movie.
It’s hard to make sense of how to digest this film.
American Film Institute’s Ranking: #77/100
Awards: Nominated for five academy awards.
Well, this is weird.
For two hours, I thought George Lucas’s American Graffiti was a bit flat; you have to do better than just capture an era and have a good soundtrack to be must see cinema. Set on the last day before everyone is meant to diverge, a group of teenangers spend the last night of Summer vacation in an intertwining adventure. The problem was none of it seemed important.
That is until the very closing segment, a 30 second epilogue that shows the final outcome of the main characters.
The previous night transforms from a bunch of coming of age tropes into events that dictate the rest of their lives. It’s no longer about drag races and cherry bombs but life and death. I’m not sure if it’s enough to save the movie, but it hit me hard and made me think: the “last time” is usually mundane and hard to recognize.
Continue reading “Top 100 Movie Review: #77 – American Graffiti (1973)”
What Happened to Star Wars?
Watching the first makes you realize all the faults of the recent iterations.
American Film Institute’s Ranking: #15/100
Academy Awards: Nominated for ten winning seven.
If you had ask me half a year ago which top 100 list I would finish first, it was going to be movies by a long shot. It makes sense: a movie is only about a two hour commitment while games and books expect much more. It’s still leading the pack, but I’ve really slowed down reviewing only 2 movies in three months. Here it goes!
Everything seems wholesome while watching because it is. Overt political messaging is absent in the narrative. The story is high Hollywood fare with plots, twists, and tension There isn’t CGI to bloat the aesthetics. Then you layer on top the unique universe of Star Wars fully rounded out with the classic motifs of good vs. evil and you end up with a purely enjoyable experience.
We’ve done an injustice to ourselves by changing our buying habits. The way we purchase entertainment has reduced the chances people are willing to take. Music is a great example: no one buys albums or songs anymore. You have to hit safe homeruns while reducing diversity and risk. The most popular movies for years now have been reboots, reruns, and rehashes. Look no further than the last five Star War films.
Continue reading “Top 100 Movie Review: #15 – Star Wars Episode IV: A New Hope (1977)”
Good Fun with No Story.
Absolutely ridiculous at times — too ridiculous.
American Film Institutes Ranking: #60/100
Awards: Nominated for nine winning the ones for sound and effects.
I can’t recall ever actually seeing this film, but somehow I knew quite a few bits and pieces. Maybe the Simpsons are to blame.
This movie cheesed me out. The movie continues to expect more and more suspension of disbelief until you reach an apex of phantasmagorical hallucination. Like a rich dessert, I was satisfied at first, but by the end, I reached a saturation point where I didn’t want anymore.
Continue reading “Top 100 Movie Review: #60 – Raiders of the Lost Ark (1981)”