I’ve seen Instagram accounts for models that have more depth than this game.
Made to attract North American kids to the new genre of RPGs in the early 90s, Square gutted anything that might have raised the difficulty level a microgram. ANYTHING. Not wanting to risk us getting lost, the locations are named things such as ‘Aquaria’ and ‘Windia’ and ‘Fireburg.’ The world map is more like Super Mario Bro’s 3 forcing you into predetermined sidewalks of adventure. There is an option to allow autobattle where the computer takes over your sole companion’s commands because hitting the A button for two party members would be too much.
The game makes sure we avoid strategy, story, exploration, or anything else that might be kind of like, ya know, the things we enjoy from RPG games.
The characters in FF3 are superb — I feel like I’m saying goodbye to dear friends.
Sydlexia’s Ranking: #3/100 My Rating:
Man, has this weekend been junk. I took a practice board exam to only be border line pass/fail again, had to create a research presentation on clinical education that I’ve put off for a month, and had to write a PICO (Patient Intervention Comparison Outcome) on the effects of cardio rehab on pulmonary function. At least I got to save the world while bawling my eyes to 16-bit characters; that really brought me back down to earth.
Something really has been lost in the sandbox era of RPGs — with open worlds and forge-your-own-path plots, no one needs to tell a good story anymore. The allure of Elder Scrolls and Fallout isn’t the characters, it’s that you can do whatever you want.
FF3/6’s back end is non-linear, but infuses each moment with meaning and significance through finding each of its 14 characters. The subtle discoveries and deeper understanding of the characters you play burgeon them from simple pixels into case studies of human nature.
Featuring the Mario cast in an RPG format, this game is a throwback to when Nintendo and Square were on good terms and more so when Square was THE company for anything Role playing.
Sydlexia’s Ranking: #5/100 My Rating:
Mario was once just pixels on a screen — he moved from side-to-side and displayed a powerful red and blue sartorial combo, but you couldn’t really say you knew anything beyond that. The early Mario games were point A to B side-scrollers, and like how chess pieces have unique moves but no personality, you simply were scooting your square of pixelated art across the screen.
The Final Fantasy franchise made a killing on the Super Nintendo by turning those mundane patches of color into meaning. Final Fantasy 3/6 was the pinnacle point of characterization for the SNES (and maybe video games in general): there were 14 playable characters, each with their own motivations, fears and personalities. At the end of those games, you almost felt like you were saying goodbye to your friends since they had done such a good job at fleshing out those characters.
So who else would Nintendo trust when they wanted to turn their silent movie star into something more?