Top 100 Movie Review: #92 – A Place in the Sun (1951)

Dated.

Not only is the movie stale, it cycles through several formats never deciding what kind of movie it wants to be. 

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Elizabeth Taylor  and Montgomery Clift — at least they are pretty to look at.

American Film Institutes Ranking: #92
Academy Awards: Nominated for nine winning six, including Best Director and Screenplay
My Rating:cropped-smooth-star

I read about 300 pages of American Tragedy; it’s a behemoth of a book, clocking in at over 900 pages, and when I went to renew it someone had put a hold on it. I just rechecked it out, so I was shocked when I realized that a movie of a completely different name picks up at part 2 of the novel.

Even though I did not finish the book, this movie does it absolutely no justice — it wrings out all the juice leaving us an attempt at a love story. This film is simply dated, and while it might be a top 100 for cultural reasons, it exhibits little power today.

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Top 100 Movie Review: #1 – Citizen Kane (1941)

Easy to Enjoy This Seminal Movie

The cinematography, the art direction, and the chopped storyline of thousands of other movies owe their derivation to this original piece. 

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Orson Welles as the protagonist Charles Foster Kane.

American Film Institute Ranking: #1/100
Academy Awards: Received nine nominations, but only winning for Best Writing (Original Screenplay).
My Rating: smooth-starsmooth-starsmooth-starsmooth-star

So the best movie of all-time, eh?

A movie with that distinction has rightfully been sliced and diced from a million different angles, and with having such an interesting figure in the middle of it all (Orson Welles) there is plenty of of wood to stoke the fire when discussing this piece of significant Americana.

First and foremost, the movie is very enjoyable. From the get go you realize this isn’t run-of-the-mill, early Hollywood; the movie opens up with an electric use of film angles and art direction, creating amazing intrigue with nothing more than ingenious camera work. This is followed with an inverted story, jumping back and forth between present and past in a way Quinten Tarantino would approve. Then, the fascinating main engine that keeps everything runningL the search for what “Rosebud” means.

What materializes is a move that has a little bit of everything: an intriguing story, well-written characters, a period piece of 1940s America, and a commentary on life, capitalism, power and fulfillment.

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