Top 100 Movie Review: #27 – Bonnie & Clyde (1967)

The Start of New Hollywood

The movie is enjoyable on its own right, but it gets a bit better when you know the historical significance. 

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American Film Institutes Ranking: #27/100
Awards: Nominated for eight, winning Best Supporting Actress (Estelle Parsons) and Cinematography.
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

The start of New Hollywood!

Directors now had more control since there was no longer a process for code approval and the content could be more risque. This movie couldn’t have been made previously; it glorifies Bonnie and Clyde with gory violence. The movie focuses on the deranged protagonists and never takes a moral stance. It opened up a whole new venue of story telling without the obligatory moral condemnation.

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Top 100 Movie Review: #19 – Chinatown (1974)

Gut Crushing Neo-Noir

I don’t know if the ending could have been any other way.

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Jack Nicholson and Faye Dunaway.

American Film Institute Ranking: #19/100
Academy Awards: Nominated for 11 winning one: Best Original Screenplay.
My Rating:cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

This movie gets a lot of hyperbole thrown its way with many people describing it as having the best script ever.  I like it, just maybe not on that cataclysmic of a level.

I love noir with the unscrupulous detective, ineffective police, corrupt government, and gritty delivery. “Chinatown” is just another reincarnation, and with an intriguing mystery paired with a stomach-punch ending, it fulfills the expectations of the genre.

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