Dustin hoffman – The Top 100 Reviews

Um. What?

I’m not exactly sure what I just watched, but I did like the ending.

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American Film Institute’s Ranking: #7/100
Awards: Nominated for six winning Best Director.
My Rating:

This movie is so tangible in the beginning. A highly-relatable college grad returns home to family and friends who no longer understand him. He spends most of the summer in the pool adrift which is a metaphor for the rest of his life: no direction, just aimless bobbing. He enters into an extramarital relationship with a middle-aged friend of the family. The perfect counterpart, she too is aimless in life’s journey but from a very different perspective.

But then things get weird. REALLY WEIRD. Like, rage swinging a Christian cross strange (spoiler alert!).

Continue reading “Top 100 Movie Review: #7 – The Graduate (1967)”

The Crumbling Legacy of the Hippie Movement.

Outside of the music, I’m not sure what people from the 60s left behind for us to enjoy.

Jon Voigt and Dustin Hoffman in wasted performances.

American Film Institute’s Ranking: #36/100
Awards: Nominated for seven winning three including Best Picture and Director.
My Rating:

The hippie movement must have been one hell of a drug.

The seminal works of cinema from this time period which reached historically significant status play as complete messes today. The storylines are disjointed, the desire to give a middle-finger to the man supersedes everything else, and virtue-signaling tramples any legitimacy of authenticity. This last one is particular paradoxical as the movement’s ostensibly purpose was to reveal some truer and more pure self.

It’s a shame, too, with Midnight Cowboy. Even within the typical moral morass, Voigt and Hoffman both put on such good performances that by the end we somehow care what happens to these two, even though the previous two hours is a mess.

Continue reading “Top 100 Movie Review: #36 – Midnight Cowboy (1969)”