Top 100 Movie Review: #93 – The Apartment (1960)

More Drama Than Comedy

While The Apartment gets pegged as a comedy, its premise is too dated to get the same laughs today but thankfully holds its own with sentimental moments. 

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Jack Lemon and Shirley McClain.

American Film Institutes Ranking: #93
Academy Awards: Nominated for 10 winning five, including Best Picture, Director, and Original Screenplay
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-star

Sick and stuck visiting family, I went to the on demand section of their cable provider looking for something to watch. Not wanting to get sucked into the four hour “Gone with the Wind (though I succumbed to that on day three of the flu), I decided on “The Apartment”; heralded as a classic comedy, it would fit nicely with my febril mood.

I ended up not finishing it. Too sick to continue and too confused by the lack of laughs, I took NyQuil and went for a deep sleep. Unfortunately when I came to, the on demand selections had reset. I didn’t finish watching until many weeks later, renting the DVD from the library.

I wanted to get it over with so I could write my review and move on, but something happened — I really enjoyed the last half of the film. All the problems that I was going to use to bury this film evaporated into thin air as the movie continued.

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Top 100 Movie Review: #97 – Bringing Up Baby (1938)

I laughed — Once.

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Katherine Hepburn as Susan Vance, Cary Grant as David Huxley, and the titular character Baby the Leopard.

American Film Institute Ranking: #97/100
Academy Awards:
None
Director: 
Howard Hawks
My Rating: smooth-star

What is comedy?

It’s a tricky question to answer and is the crux of my problem with this movie. What makes someone laugh: do you prefer witty, ridiculous, crass, situational, ironic, play-on-words, role reversals, self-depreciating, or some combination of the above? This movie has universal appeal with a resounding unison of positive reviews. This is quite different from how it was described at the time of its release, with phrases such as “box-office poison” and such a bomb that it threatened Hepburn’s film career with critics.

Somehow through syndication, this movie gained a steamroller of momentum and now is regarded as the quintessential screwball, romantic comedy that created an entire genre. I can’t help but agree with the original opinion. While the movie appealed to my love of wacky and imaginative, the delivery made this one of the most frustrating films I’ve ever watched.

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