American Film Institute Ranking: #17/100 Academy Awards: Nominated for four (Best Actor, Actress, Adapted Screenplay and Director) winning Best Actor for Humphrey Bogart (his only Academy Award). Director: John Houston My Rating:
“How can we put Humphrey Bogart and Katharine Hepburn in close proximity for a couple hours and let them work their magic?”
Enter the adapted screenplay by James Agee (who also wrote a top 100 book of all time “A Death in the Family” which I review here). The African Queen is an interesting movie just from the set up alone: about 90% of the movie involves the two main characters floating down a river in a steam boat with the entire focal point on their relationship. There is some window dressing to get them there, but none of it matters. What is important is that Humphrey and Katharine are stuck together and have to work through their differences. This movie explores the classic motif of mismatched lovers using stereotypical traits that are diametrically opposed (messy vs. clean, prude vs. crude, etc.). Thankfully, we have two power houses of Hollywood that end up pushing this ridiculous script along and somehow make a successful go at it.
“All right, Mr. DeMille, I’m ready for my close-up.”
American Film Institute Ranking: #12/100 Academy Awards: Nominated for eleven, won three including best original screenplay but none of the biggies. My Rating:
I really enjoyed this movie. A lot.
There are a lot of different angles, and it’s all packed into a tight presentation: a critique of hollywood; an unintentional period piece; purposeful inside references; old vs. new. The end result is a poignant insight into a time long gone, showing the underbelly of show biz that has been there since the very beginning.
American Film Institute Ranking: #99/100 Academy Awards: Best Actress (Katherine Hepburn), Best Original Screenplay My Rating:
Leave it to Hollywood to insert itself in a social issue, have it packed with trite stereotypes and interactions, and somehow still make it good enough to enjoy. This film is a constant roller-coaster ride, but not due to some concrete plot or character development. What’s going to have you squirming in your seat instead will be how a movie with such beautiful moments can be juxtapositioned with such ridiculousness.
Take for instance a scene where Matt and Christina Drayton (played by Spencer Tracy and Katherine Hepburn respectively) have to leave the house due to the stress of the day (aka: their daughter wanting to marry a person of another race). They end up at a drive-in diner where Matt Drayton orders ice cream which was not the flavor he is expecting, and while at first he dislikes it he loves it after giving it a chance. This is a not so subtle suggestion of a parallel with what is happening in his personal life with his daughter’s soon to be husband. The movie uses fresh Oregon Boysenberry Sherbet to make a statement on race relations in America.