Everything’s Perfect Except the Ending. A romance epic that’s damn good. American Film Institute’s Ranking: #39/100 Awards: Nominated for 10 winning 5 losing out to The
Tag: classic film
Top 100 Movie: #42 – Rear Window (1954)
A Movie That Does Everything. Witty dialogue, a unique set up, and tension stick with you the entire way. American Film Institutes Ranking: #42/100 Awards: Four
Top 100 Movie Review: #92 – A Place in the Sun (1951)
Dated. Not only is the movie stale, it cycles through several formats never deciding what kind of movie it wants to be. American Film Institutes
Top 100 Movie Review: #10 – Singing in the Rain (1952)
A Musical with a Story. Some of the numbers are a bit lame, but the story, acting and sets are intriguing enough to make up
Top 100 Movie Review: #8 – On the Waterfront (1954)
A Supremely Good Character Study This movie has it all: interesting story, good setting, great acting, amazing musical score, but the character of Terry Malloy
Top 100 Movie Review: #33 – High Noon (1952)
Realtime Drama. Time passage in the story is synced with realty, making the clock a constant motif and reminder — time is running out. American
The Top 100 Reviews 