This movie has it all: interesting story, good setting, great acting, amazing musical score, but the character of Terry Malloy is in another stratosphere.
American Film Institutes Ranking: #8/100 Awards: Nominated for twelve winning eight, including Best Picture, Director, Actor, and Supporting Actress. My Rating:
At its heart, this is a classic good vs. evil. Where it gets complicated is every character has a lean they are facing, and we wait to see how they are going to act under pressure. The character that has the most pressure is Terry Malloy; he a complicated and fascinating lead and is the reason this movie is worthy of such high praise.
Popeye Doyle is unethical and unscrupulous, but at least his fixation is in the right place.
American Film Institutes Ranking: #70/100 Awards: Nominated for eight, winning Best Picture, Actor, Director and Adapted Screenplay. My Rating:
The movie is a sprint interspersed with a few jogs to slightly catch our breath.
This rapid pace doesn’t allow us to get to know anyone or anything — the driving force behind all the characters is a complete enigma to us. This had the potential to detract more from the movie than it did if it weren’t so gripping due to acting and action.
Yes you do Joe Pesci! Along with the rest of this crime film’s cast of characters.
American Film Institutes Ranking: #94/100 Awards: Nominated for Best Picture, Adapted Screenplay, Actor and Actress with Joe Pesci winning Best Actor. My Rating:
Finally, a contemporary movie to review! I actually know some of these guys.
GoodFellas is a great crime film with plenty of gore, curse words and crude behavior. The long scope of its timeline allows you to dive deep into the intricacies of being involved in the mob, following Henry Hill from an outsider admirer, to being one of its main players, to the ultimate down fall.
The arc is bittersweet, almost feeling sorry for the unfortunate endings of the depraved characters you somehow become attached to.
I don’t know who I am anymore — enjoying a film based on theater and stage.
American Film Institutes Ranking: #100/100 Academy Awards: Nominated for several: best picture, actor, screenplay, supporting actor etc. Won for Best Actor (James Cagney). My Rating:
My dislike for theater runs deep and goes to my early days of college — VCU was home to a vibrant theater community, and early every morning they would flood the dining hall dressed in straight black forgetting that they weren’t on stage. It was kind of like a qualitative study where I got to see what the stress of performance did to one’s life first hand, not to mention the suspense of what Shafer Hall would do to my GI tract.
I set up my netflix cue with a bunch of random movies, so when Yankee Doodle Dandy arrived, I really had no idea what it was about. Once I read that summary on the DVD slip, I started to worry.
Somehow, I came out not only pleased, but ready to recommend this film to anyone who would listen to me Yammer about vaudeville, WWI and this “American as you get” film.
Even with a slightly white-washed script, “To Kill a Mockingbird” can swell the spirit and can recreate the magic from the book.
American Film Institute Ranking: #34/100 Academy Awards: Nominated for eight, including best picture and director, while winning three for Best Actor (Gregory Peck), Best Adapted Screenplay (Horton Foote), and Best Art Direction. My Rating:
First, I think it has to be appreciated the challenge this director and screen writer faced: they had to take one of the most beloved pieces of literature and transmute it onto the silver screen. This was no small task.
Their approach was to put more focus on Atticus Finch than Scout which is a pretty-big deviation from the book. There are both positives and negatives because of this narrative change, and people’s feelings about this movie can usually be tracked back to how they view this slight of hand. Atticus is such a beloved figure of moral inspiration that having him be the center brings his edifying persona to the forefront, allowing fans of the book to get more of a favorite character. The downside is that the story strikes an odd tone, being almost silent on the African American plight.
American Film Institute Ranking: #17/100 Academy Awards: Nominated for four (Best Actor, Actress, Adapted Screenplay and Director) winning Best Actor for Humphrey Bogart (his only Academy Award). Director: John Houston My Rating:
“How can we put Humphrey Bogart and Katharine Hepburn in close proximity for a couple hours and let them work their magic?”
Enter the adapted screenplay by James Agee (who also wrote a top 100 book of all time “A Death in the Family” which I review here). The African Queen is an interesting movie just from the set up alone: about 90% of the movie involves the two main characters floating down a river in a steam boat with the entire focal point on their relationship. There is some window dressing to get them there, but none of it matters. What is important is that Humphrey and Katharine are stuck together and have to work through their differences. This movie explores the classic motif of mismatched lovers using stereotypical traits that are diametrically opposed (messy vs. clean, prude vs. crude, etc.). Thankfully, we have two power houses of Hollywood that end up pushing this ridiculous script along and somehow make a successful go at it.