Top 100 Movie Review: #61 – Vertigo (1958)

I Was Getting Worried.

And then the twist cracks you over the head and everything changes. 

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American Film Institutes Ranking: #61/100
Awards: Nominated for two in the technical categories.
My Rating: cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550cropped-smooth-star-e1545862962550

This movie made me sweat bullets over wasted time. You get stuck watching, reading, playing, and listening to a lot of things you don’t care about when you review top 100 lists. Here I was, halfway through, and wondering if I really cared to make it to the end. I’m thankful I did. Hitchcock takes his sweet time, but once he finally decides to drop the bomb, everything that was “wasted time” becomes intricately plotted narration.

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Top 100 Movie: #42 – Rear Window (1954)

A Movie That Does Everything.

Witty dialogue, a unique set up, and tension stick with you the entire way. 

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Jimmy Stuart.

American Film Institutes Ranking: #42/100
Awards: Four Nominations for Director, Adapted Screenplay, Color, and Sound Mixing
My Rating: cropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-starcropped-smooth-star

Some movies struggle to do one thing well, failing to even be a good example of the genre that they are intending to represent.

Rear Window does so many things well. The four main characters are immensely interesting with their banter and witty dialogue moving the film along. The set up is a man stuck at home due to a broken leg with no entertainment other than the lives of his neighbors — voyeurism at its best. Add the murder mystery and you get to see an exquisite example of the great Alfred Hitchcock at work.

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