AFI – The Top 100 Reviews

Top 100 Movie Review: #33 – High Noon (1952)

Realtime Drama.

Time passage in the story is synced with realty, making the clock a constant motif and reminder — time is running out.

going-to-the-church — Will Kane (played by Gary Cooper) goes to church to recruit help against outlaws in this Western Film.

American Film Institutes Ranking: #33/100
Awards: Nominated for seven Academy Awards, winning four (Actor for Gary Cooper and then some editing and musical stuff).
My Rating:

This movie has a handful of things going for it, but I’m not sure where they stand against the test of time.

The backdrop of the movie was McCarthyism, and the film is supposed to be a representation of someone willing to stand up against evil when all others wilt. The film runs in real time, with every shot including a clock corresponding with the correct amount of time that has passed in real life. It flips the Western on its head, having an ending that is somewhat counter to what would be considered traditional.

Putting it all together, enough happens where it produces an average film, enjoyable albeit hard to recommend to others.

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Top 100 Movie Review: #17 – The African Queen (1951)

A One-Set Movie Starring Mismatched Lovers

The African Queen Hepburn and Bogart.png — Rose Sayer, the fastidious and devout saint (played by Katharine Hepburn), Charlie Allnut, the vagabond and loose sailor (Humphrey Bogart), and the main set of the movie, The African Queen.

American Film Institute Ranking: #17/100
Academy Awards: Nominated for four (Best Actor, Actress, Adapted Screenplay and Director) winning Best Actor for Humphrey Bogart (his only Academy Award).
Director: John Houston
My Rating:

“How can we put Humphrey Bogart and Katharine Hepburn in close proximity for a couple hours and let them work their magic?”

Enter the adapted screenplay by James Agee (who also wrote a top 100 book of all time “A Death in the Family” which I review here). The African Queen is an interesting movie just from the set up alone: about 90% of the movie involves the two main characters floating down a river in a steam boat with the entire focal point on their relationship. There is some window dressing to get them there, but none of it matters. What is important is that Humphrey and Katharine are stuck together and have to work through their differences. This movie explores the classic motif of mismatched lovers using stereotypical traits that are diametrically opposed (messy vs. clean, prude vs. crude, etc.). Thankfully, we have two power houses of Hollywood that end up pushing this ridiculous script along and somehow make a successful go at it.

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Top 100 Movie Review: #99 – Guess Who’s Coming to Dinner (1967)

Entertaining, but Almost Hard to Take Seriously

All-Star Cast (Left to Right): Sidney Poitier, Katherine Houghton, Katherine Hepburn, Spencer Tracy

American Film Institute Ranking: #99/100
Academy Awards: Best Actress (Katherine Hepburn), Best Original Screenplay
My Rating:

Leave it to Hollywood to insert itself in a social issue, have it packed with trite stereotypes and interactions, and somehow still make it good enough to enjoy. This film is a constant roller-coaster ride, but not due to some concrete plot or character development. What’s going to have you squirming in your seat instead will be how a movie with such beautiful moments can be juxtapositioned with such ridiculousness.

Take for instance a scene where Matt and Christina Drayton (played by Spencer Tracy and Katherine Hepburn respectively) have to leave the house due to the stress of the day (aka: their daughter wanting to marry a person of another race). They end up at a drive-in diner where Matt Drayton orders ice cream which was not the flavor he is expecting, and while at first he dislikes it he loves it after giving it a chance. This is a not so subtle suggestion of a parallel with what is happening in his personal life with his daughter’s soon to be husband. The movie uses fresh Oregon Boysenberry Sherbet to make a statement on race relations in America.

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