This movie might not have action in a contemporary sense, but neat ideas and slight of hand can cause immense thrill — proven by this classic.
American Film Institute Ranking: #67/100 Academy Awards: Nominated for best supporting actress (Angela Lansbury) My Rating:
Old movies are better, so the argument goes, because they had to be creative: they didn’t have the get-out-of-jail-card of special effects like today, so they had to rely on the innovation that came from imagination alone, making magic out of thin air.
Evidence Exhibit A: The Manchurian Candidate.
This movie is a political thriller, but there is very little “action” within the frames. What grips you and keeps you interested isn’t the flash and sizzle of shoot-outs but the tension and puzzle of what is real and what isn’t.
Even with a slightly white-washed script, “To Kill a Mockingbird” can swell the spirit and can recreate the magic from the book.
American Film Institute Ranking: #34/100 Academy Awards: Nominated for eight, including best picture and director, while winning three for Best Actor (Gregory Peck), Best Adapted Screenplay (Horton Foote), and Best Art Direction. My Rating:
First, I think it has to be appreciated the challenge this director and screen writer faced: they had to take one of the most beloved pieces of literature and transmute it onto the silver screen. This was no small task.
Their approach was to put more focus on Atticus Finch than Scout which is a pretty-big deviation from the book. There are both positives and negatives because of this narrative change, and people’s feelings about this movie can usually be tracked back to how they view this slight of hand. Atticus is such a beloved figure of moral inspiration that having him be the center brings his edifying persona to the forefront, allowing fans of the book to get more of a favorite character. The downside is that the story strikes an odd tone, being almost silent on the African American plight.