Popularizer of the genre, Hammett’s detective story is a solid mystery with plenty of quick wit.
I’m a sucker for this kind of stuff.
I love mysteries, and even more, I love detective mysteries that are set pre-1960s. I grew up on Earl Stanley Gardner’s Perry Mason, another pulp fiction mystery series. Where Red Harvest is different is there is more grit to it — everything is or will be corrupted in this book, even the main character.
Continue reading “Top 100 Novel Review: Red Harvest, Danshiell Hammet (1929)”
Resignation, Cynicism and Meh.
Heralded for being interesting due to its lack of traditional story-telling and relying on the craft of writing — I just don’t see it.
This was one of those books that had me running to the internet to reconcile my experience. What did I miss?
The answer that I found was nothing: my interpretation of the book was on solid ground as it was supposed to lack conflict, background, and intrigue. Hemingway was ushering in this new style of writing, a representation of the “Lost Generation” complete with the cynicism that their dreams would never be realized. His grand accomplishment was to eschew traditional story elements while still fulfilling the reader’s desire to continue to read.
I can’t help but think this is another example of avant-garde projection, propping up a frail and barebones narrative, ecstatically claiming how unique it is.
Continue reading “Top 100 Book Review: The Sun Also Rises, Ernest Hemingway (1926)”